To be a Duck's a Knack, plus Luck

C'EST TOUT UN ART D'ETRE UN CANARD

Claude Roy (1915-97)

C'EST TOUT UN ART D'ETRE UN CANARD
C'est tout un art D'être un canard Canard marchant Canard nageant Canards au vol vont dandinant Canards sur l'eau vont naviguant Etre canard C'est absorbant Terre ou étang C'est différent Canards au sol s'en vont en rang Canards sur l'eau s'en vont ramant Etre canard Ca prend du temps C'est tout un art C'est amusant Canards au sol cancanants Canards sur l'eau sont étonnants Il faut savoir Marcher, nager Courir, plonger Dans l'abreuvoir. Canards le jour sont claironnants Canards le soir vont clopinant Canards aux champs Ou sur l'étang C'est tout un art D'être canard.
To be a Duck's a Knack, plus Luck
To be a Duck's a Knack, plus Luck a strolling duck a swimming duck a soaring duck's a flip-flap duck a floating duck’s a shipshape duck To be a drake on land or lake it’s charms and spells, it’s something else On dry land ducks parade, a row on duckponds, ducks proceed to row To be a drake can only take time, it’s an art that cheers the heart A dry-land duck’s a quackle-box a duckpond duck’s miraculous A drake can take a walk run swim in drinking-tank the dunk of him The ducks of dawn go trumpeting the ducks of dusk go tottering To be a drake on lea or lake to be a duck's a knack plus luck.

Translation: Copyright © Timothy Adès

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A selection from 'Zoo Poems'.

Ogden Nash (1902-71)

His English, my Latin.
A selection from 'Zoo Poems'.
Some primal TERMITE knocked on wood And tasted it, and found it good, And that is why your cousin May Fell through the parlor floor today. THE COW is of the bovine ilk; One end is moo, the other milk. THE RHINO is a homely beast, For human eyes he’s not a feast. Farewell, farewell, you old rhinoceros, I’ll stare at something less prepocerous. I don’t mind EELS/ Except as meals./ And the way they feels. The POULTRIES Let’s think of eggs./ They have no legs. Chickens come from eggs/ But they have legs. The plot thickens;/ Eggs come from chickens, But have no legs under ’em./What a conundrum! You get some words regarding mice, You get a kitty in a trice. By two a.m. or thereabouts, The mouse is in, the CAT is out. It dawns upon you, in your cot, The mouse is silent, the cat is not. Instead of kitty, says your spouse, You should have got another mouse. The truth I do not stretch or shove When I state that the DOG is full of love. I’ve also found, by actual test, A wet dog is the lovingest. Behold the DUCK. It does not cluck. A cluck it lacks. It quacks. It is specially fond of a puddle or pond. When it dines or sups, It bottoms ups. The OYSTER’s a confusing suitor; It’s masc., and fem., and even neuter. At times it wonders, may what come, Am I husband, wife, or chum. The Lord in His wisdom made the FLY, And then forgot to tell us why. The song of CANARIES Never varies, And when they’re moulting They’re pretty revolting. The CAMEL has a single hump; The dromedary, two; Or else the other way around, I’m never sure. Are you? In the world of MULES There are no rules The PANTHER is like a leopard except that it hasn't been peppered. If you should behold a panther crouch, prepare to say "ouch". Better yet, if called by a panther, don't anther.
IPSE SCRIPSI pristinus est tarmes quia delectabile lignum, nunc tua perrupit Maia propinqua trabem. vacca genusque boum speciemque bovaria fertur; mugit ut ante pecus, pone homo mulget item. rhinoceros, oculis hominum non dulcis, abesto, foede! neque inspiciam postera posta prius. non piget anguillae. nihilominus haec duo juro: non sinere ad mensam, non adhibere manum. ova cano: pede egent. pedem habens avis editur ovis, ova ave. quid? pede egent. o dubia Oedipodis! uxor adest, domus est; mus denique. verba locuta in murem; rapide constat habere catum. nocte domi stat mus; catus errat. inhaeret imago: dum somnis careas, hic canit, ille tacet. ‘stulte! catum fallis damnosum’ ait uxor ‘adeptus : mus instar melius muris emendus erat.’ est canis omnis amans. nec fit violentia vero. hoc ego cognovi: plus canis udus amat. non anas ut gallina crepit; petit illa lacunas. quotquot edunt anates, exposuere nates! ostrea amans dubia est, quia mascula, femina, neutra est : ‘sumne vir, an mulier, sumne sodalis ego?’ musca opus est Domini. cur sit, memorare nequimus: mente Creatoris justificare cadit. non, fringilla, places. nunquam tua carmina mutas; plurima olet toto putrida pluma solo. unus utri tumor an duo sint, ego nescio vere: quotque camelus habet, dic mihi, quotque dromas. DEFICIVNT MVLIS RATIO LEX REGVLA NORMA es pardus, panthera, sed haud maculatur imago! ~ si panthera adhibet membra, ululare para ; murmura pantherae tua parce referre vocanti ; ~ si salit illa, time ; si sonat illa, tace.

Translation: Copyright © Timothy Adès

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Springtime will return

Le printemps reviendra

Maurice Carême (1899-1978)

Le printemps reviendra
Hé oui, je sais bien qu'il fait froid, Que le ciel est tout de travers ; Je sais que ni la primevère Ni l'agneau ne sont encore là. La terre tourne ; il reviendra, Le printemps, sur son cheval vert. Que ferait le bois sans pivert, Le petit jardin sans lilas ? Oui, tout passe, même l'hiver, Je le sais par mon petit doigt Que je garde toujours en l'air …
Springtime will return
Yes, I know we have cold weather, And the sky is not playing fair; And I know that at present, neither The lamb nor the primrose is there. The world will turn, and the springtime Will return, astride its green mare. No woodpecker, what’ll the wood do? The garden, with no syringa? All things must pass, even winter: I know, by my little pink finger That’s always up in the air…

Translation: Copyright © Timothy Adès

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Lovers

Die Liebenden

Bertolt Brecht (1898-1956)

Die Liebenden
Sieh jene Kraniche in großem Bogen! Die Wolken, welche ihnen beigegeben Zogen mit ihnen schon, als sie entflogen Aus einem Leben in ein andres Leben In gleicher Höhe und mit gleicher Eile Scheinen sie alle beide nur daneben. Daß so der Kranich mit der Wolke teile Den schönen Himmel, den sie kurz befliegen Daß also keines länger hier verweile Und keines andres sehe als das Wiegen Des andern in dem Wind, den beide spüren Die jetzt im Fluge beieinander liegen So mag der Wind sie in das Nichts entführen Wenn sie nur nicht vergehen und sich bleiben Solange kann sie beide nichts berühren Solange kann man sie von jedem Ort vertreiben Wo Regen drohen oder Schüsse schallen. So unter Sonn und Monds wenig verschiedenen Scheiben Fliegen sie hin, einander ganz verfallen. Wohin ihr? Nirgendhin. Von wem davon; Von allen. Ihr fragt, wie lange sind sie schon beisammen? Seit kurzem. Und wann werden sie sich trennen? Bald. So scheint die Liebe Liebenden ein Halt.
Lovers
See that great arc of cranes! The clouds, their own companions, Went with them as they flew From one life to another: Same height, same speed, the two Seemed to glide on together. So crane and cloud, who share The glorious sky, go quickly by, And neither lingers here, but sees Only the other ride the breeze, Both alongside and both aware; The wind cajoles them to the void. If they survive, stay close-deployed, Nothing can harm the clouds and cranes, Not crash of guns nor threat of rains. Beneath the discs of moon and sun, Wrapped in each other, they fly on. Where from? From nowhere. Where to? Everywhere. You ask: And how long have they been a pair? Not long. How soon to part? The time is short. Lovers imagine love’s a sure support.
Said at Chichester 2023

Translation: Copyright © Timothy Adès

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A Bird is Singing

Un oiseau chante

Guillaume Apollinaire (1880-1918)

Un oiseau chante
Un oiseau chante ne sais où C’est je crois ton âme qui veille Parmi tous les soldats d’un sou Et l’oiseau charme mon oreille Écoute il chante tendrement Je ne sais pas sur quelle branche Et partout il va me charmant Nuit et jour semaine et Dimanche Mais que dire de cet oiseau Que dire des métamorphoses De l’âme en chant dans l’arbrisseau Du cœur en ciel du ciel en roses L’oiseau des soldats c’est l’amour Et mon amour c’est une fille La rose est moins parfaite et pour Moi seul l’oiseau bleu s’égosille Oiseau bleu comme le cœur bleu De mon amour au cœur céleste Ton chant si doux répète-le À la mitrailleuse funeste Qui claque à l’horizon et puis Sont-ce les astres que l’on sème Ainsi vont les jours et les nuits Amour bleu comme est le cœur même
A Bird is Singing
A bird is singing don’t know where must be your soul that’s watchful there among so many really mere soldiers, his song delights my ear Listen he sings so tenderly where on what branch I cannot say goes everywhere delighting me weekdays and Sundays night and day About this bird what can I say about these metamorphoses a soul on song in shrubby tree a heart in heaven a heaven in roses Love is the bird of soldiers. I’ve a darling girl who is my love more perfect than a rose of course blue bird sings just for me he’s hoarse Blue bird as blue as my love’s blue heart loving heart of heaven’s own your song is sweet recite it to the deadly automatic gun That clatters on the skyline do we see the stardust being sown the days and nights are going gone blue love blue as the heart is blue

Translation: Copyright © Timothy Adès

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Kind und Pfau

Girl And Peacock

Erich Mühsam (1878-1934)

Girl And Peacock
Im Mäntelchen mit viel Besatz und seidener Kapotte, im Spitzenkragen und Seidenlatz, so steht hier die Charlotte. Da kommt daher ein stolzer Pfau, mit Federn, vielen hundert, der sieht die kleine Menschenfrau, - und beide steh'n verwundert. Die Lotte beugt sich staunend vor, der Pfau beugt sich zurücke und spreizt den blauen Federflor; - so kreuzen sich die Blicke. "Was ist das für ein schönes Tier!" so denken alle beide. Er deucht ihr ganz von Golde schier, sie deucht ihm ganz von Seide. - Sie seh'n sich fast die Augen blind am Kleid und an den Daunen - und wenn sie nicht gegangen sind, steh'n sie wohl noch und staunen.
Kind und Pfau
In pretty coat with silken hood and braids and trimmings fancy and pointed collar, there she stood, the small, silk-swaddled Nancy. A splendid peacock chanced to pass with feathers, several hundred, and saw the little human lass. Both stood and gaped, and wondered: Nancy leant forward in surprise, the lovely bird leant backward: the two could not believe their eyes! Their postures were quite awkward. He spread his azure feather-fan. Reciprocally gazing, each marvelled: What’s this creature, then! How lovely, how amazing! He thought: She’s silk! She thought: He’s gold! The garb, the plumes perceiving, it’s possible they’re still on hold, immobile, disbelieving!
Picture by Edmond-Jean Aman, 1895, Musée des Arts Décoratifs, Paris

Translation: Copyright © Timothy Adès

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My Latin version

Adlestrop

Edward Thomas (1878-1917)

Adlestrop
Yes. I remember Adlestrop— The name, because one afternoon Of heat the express-train drew up there Unwontedly. It was late June. The steam hissed. Someone cleared his throat. No one left and no one came On the bare platform. What I saw Was Adlestrop—only the name And willows, willow-herb, and grass, And meadowsweet, and haycocks dry, No whit less still and lonely fair Than the high cloudlets in the sky. And for that minute a blackbird sang Close by, and round him, mistier, Farther and farther, all the birds Of Oxfordshire and Gloucestershire.
My Latin version
non mihi mente tuum cadit indelebile nomen, ~~Selda, ubi inassueta compede currus iter sisterat. excelso tempestas torrida sole, ~~deficiens mensis Junius, alta dies. sibilat aere vapor, purgat mala gutture tussis; ~~nullus homo venit limine, nullus abit. solum, Selda, tuum nomen, tu portus amoene, ~~nil aliud visumst! herba humilisque salix et grandes salices, ulmaria pendula filis ~~flos redolens, foeni plurima congeries, arida, sola, nitens, immota ut in aere nubes ~~exiguae; gaudes voce propinqua brevi tu, merula! et procul hinc, ubi iam nebulosior aer, ~~pinnati numerant carmina grata chori, argutas volucrum quot habes, Oxonia, turbas, ~~quot regio Glevi Nervia condit aves.

Translation: Copyright © Timothy Adès

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Dust of Snow

Dust of Snow

Robert Frost (1874-1963)

Let's see whether he needed the letter E.
Dust of Snow
The way a crow Shook down on me The dust of snow From a hemlock tree Has given my heart A change of mood And saved some part Of a day I had rued.
Dust of Snow
I'm glad that a crow shook down just now my dusting of snow from a poison-bough: a try-again start transforming my mood, and saving a part of a day not good.

Translation: Copyright © Timothy Adès

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Who was that? By Wally d l M.

Some One

Walter de la Mare (1873-1956)

Let’s see whether he needed the letter E.
Some One
Some one came knocking At my wee, small door; Someone came knocking; I'm sure-sure-sure; I listened, I opened, I looked to left and right, But nought there was a stirring In the still dark night; Only the busy beetle Tap-tapping in the wall, Only from the forest The screech-owl's call, Only the cricket whistling While the dewdrops fall, So I know not who came knocking, At all, at all, at all.
Who was that? By Wally d l M.
Who was that knocking At my dainty door? That was a knocking That I’m vouching for; Hark, hark, unlatch, unlatch, Look this way and that! But nought was a stirring, All was black as your hat; Only a busy bug Tapping in a wall, Only from woodland A shrill owl’s call, And Jiminy’s whistling As dawndrops fall, So I know not who was knocking, At all, at all, at all.

Translation: Copyright © Timothy Adès

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The Trees are Dewy

Von allen Zweigen

Ricarda Huch (1864-1947)

Von allen Zweigen
Von allen Zweigen perlt der goldne Schaum, Auf allen Bäumen flammen Blütenbrände, Unzählbar lacht der Kuckuck durch den Raum, Frag ich ihn bang nach meines Lebens Ende. Es blüht und lebt bis an der Erde Saum, Wird blühn und leben, singt er, ohne Wende – Als wäre Frühling nicht ein kurzer Traum. Auch du bist ewig! Spare nicht, verschwende! In 'Herbstfeuer', Insel Verlag, 1944.
The Trees are Dewy
The trees are dewy with the golden stream, The branches all with flaming blossoms bend, In airy vaults the cuckoo’s paeans teem. Fearful, I ask him how my life shall end. It blooms and lives to earth's most distant seam, Shall bloom and live, he sings, and onward wend, As if the spring were not a passing dream. Thou too shalt live! Then spare not, freely spend! In 'Autumn Fire', Poetry Salzburg, 2024.

Translation: Copyright © Timothy Adès

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