Where to now?

Jetzt wohin?

Heinrich Heine (1797-1856)

Jetzt wohin?
Jetzt wohin? Der dumme Fuss Will mich gern nach Deutschland tragen; Doch es schüttelt klug das Haupt Mein Verstand und scheint zu sagen: Zwar beendigt ist der Krieg, Doch die Kriegsgerichte blieben, und es heisst, du habest einst viel Erschiessliches geschrieben. Das ist wahr, unangenehm Wär mir das Erschossenwerden; Bin kein Held, es fehlen mir Die pathetischen Gebärden. Gern würd ich nach England gehn, Wären dort nicht Kohlendämpfe Und Engländer — schon ihr Duft Gibt Erbrechen mir und Krämpfe. Manchmal kommt mir in den Sinn Nach Amerika zu segeln, Nach dem grossen Freiheitstall, Der bewohnt von Gleichheitsflegeln — Doch es ängstet mich ein Land, Wo die Menschen Tabak käuen, Wo sie ohne König kegeln, Wo sie ohne Spucknapf speien. Russland, dieses schöne Reich, Würde mir vielleicht behagen, Doch im Winter könnte ich Dort die Knute nicht ertragen. Traurig schau ich in die Höh, Wo viel tausend Sterne nicken — Aber meinen eignen Stern Kann ich nirgends dort erblicken. Hat im güldnen Labyrinth Sich vielleicht verirrt am Himmel, Wie ich selber mich verirrt In dem irdischen Getümmel.
Where to now?
Where to now? My silly foot Hauls to Germany away; But my reason, more astute, Shakes its head and seems to say: Though the war is at an end, Military courts are not, And you wrote, I understand, Things for which you could be shot. Being shot? I’d take no joy, No, it doesn’t tempt at all. I’m no hero, can’t deploy All those gestures tragical. England, yes — but all that coal, Raising all that steam and damp: And the English! Just their smell Makes me vomit, gives me cramp. Often I’ve a mind to sail To the country of the Yanks, Home of freedom’s cattle–stall For egalitarian punks: But a land is frightening Where tobacco ‘quids’ are chewed, Skittles played without a king, Spittle in no basin spewed. Russia! There’s a splendid realm, Quite agreeable, no doubt — Then again, in winter–time, I could not abide the knout. Mournfully I scan the sky: Twinkling stars uncountable! Nowhere to be seen is my Private star, my personal. In that golden maze I fear Overhead it’s gone astray: In the earthly tumult here I myself have lost my way.
Published 2010 in Acumen

Translation: Copyright © Timothy Adès

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Angels

Die Engel

Heinrich Heine (1797-1856)

Die Engel
Freilich, ein ungläubger Thomas, glaub ich an den Himmel nicht, den die Kirchenlehre Romas und Jerusalems verspricht. Doch die Existenz der Engel, die bezweifelte ich nie; lichtgeschöpfe sondern Mängel, hier auf Erden wandern sie. Nur, genädge Frau, die Flügel sprech ich jenen Wesen ab; Engel gibt es ohne Flügel, wie ich selbst gesehen hab. Lieblich mit den weissen Händen, lieblich mit den schönen Blick schützen sie den Menschen, wenden von ihm ab das Missgeschick. Ihre Huld und ihre Gnaden trösten jeden, doch zumeist ihn, der doppelt qualbeladen, ihn, den man der Dichter heisst.
Angels
Now I don’t believe in heaven, I’m really a Doubting Thomas, though religion says we are given both Rome’s and Jerusalem’s promise. But on whether angels are real I’ve never had any doubt; they are creatures of light, ideal: here on earth they are roaming about. I merely maintain they are wingless, dear lady, these entities: I know there are wingless angels, I’ve seen them with my own eyes. By their lovable soft sweet hands and their lovable tender glance, we mortals are rescued and ransomed, protected from all mischance. They console us with their mercies, their grace to us all is extended: but most to the doubly tormented, the poet, the writer of verses.
Published in the Morning Star, 12 July 2007

Translation: Copyright © Timothy Adès

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Dream of the fir-tree

Ein Fichtenbaum steht einsam

Heinrich Heine (1797-1856)

Ein Fichtenbaum steht einsam
Ein Fichtenbaum steht einsam Im Norden auf kahler Höh’. Ihn schläfert; mit weisser Decke Umhüllen ihn Eis und Schnee. Er träumt von einer Palme, Die fern im Morgenland Einsam und schweigend trauert Auf brennender Felsenwand.
Dream of the fir-tree
A fir-tree stands in northern lands Alone on barren height. Fitful his slumber; snow and ice Wrap him in coat of white. His dream is of a palm-tree In distant lands of morning, Silent, alone, and grieving, Where headlong cliffs are burning.

Translation: Copyright © Timothy Adès

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Young lady at the seaside

Das Fräulein stand am Meere

Heinrich Heine (1797-1856)

Das Fräulein stand am Meere
Das Fräulein stand am Meere, es seufzte lang und bang; es rührte sie so sehre der Sonnenuntergang. Mein Fräulein, sei’n Sie munter, es ist ein altes Stück: hier vorne geht sie unter, und kehrt von hinten zurück!
Young lady at the seaside
Young lady at the seaside, A poor unhappy one, In sorrow and ennui sighed To see the setting sun. This is an old, old story. Young lady, dry your eyes! The sun that sets before ye, Behind your back shall rise!

Translation: Copyright © Timothy Adès

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Nightsong

Nachtlied

Heinrich Heine (1797-1856)

Nachtlied
Nacht liegt auf den fremden Wegen, Krankes Herz und müde Glieder Ach, da fließt, wie stiller Segen, Süßer Mond, dein Licht hernieder. Süßer Mond, mit deinen Strahlen Scheuchest du das nächtge Grauen; Es zerrinnen meine Qualen, Und die Augen übertauen.
Nightsong
Night lies low on lanes unknown, Weary limbs and ailing heart. Ah, sweet moon! Send down your light Like a silent benison. Ah, sweet moon! You put to flight All the terrors of the night; All my anguish disappears, And my eyes are full of tears.

Translation: Copyright © Timothy Adès

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The letter you have sent me

Der Brief, den du geschrieben

Heinrich Heine (1797-1856)

Der Brief, den du geschrieben
Der Brief, den du geschrieben, er macht mich gar nicht bang. Du willst mich nicht mehr lieben, aber dein Brief ist lang. Zwölf Seiten, eng und zierlich! Ein kleines Manuskript! Man schreibt nicht so ausführlich, wenn man den Abschied gibt.
The letter you have sent me
The letter you have sent me: you want our love to end. It doesn’t discontent me: just look how much you’ve penned! Twelve pages, tight and tender! A little manuscript! A love-must-end unfriender is normally tight-lipped.

Translation: Copyright © Timothy Adès

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To Forty Winks - by Adonais

To Sleep

John Keats (1795-1821)

My lipogram, no letter E
To Sleep
yes
To Forty Winks - by Adonais
Aromatist of still midnight, Closing with digits kind and good Our gloom-fond orbs, cut off from light, Snug in oblivion’s holy hood: O forty winks! Dormition! Cull My willing gig-lamps as I sing, Till at my ‘Schluss!’ your opiums lull, Charitably, my sluggarding. Thwart now (or this past day will flood My pillow, spawning, sorrowful) – Thwart anxious Conscious Thought, that lords Its night-might, burrowing, black as coal; Turn your swift Chubb in my smooth wards: Shut tight my Dropbox, hush my soul.

Translation: Copyright © Timothy Adès

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O soft embalmer of the still midnight,
    Shutting, with careful fingers and benign,
Our gloom-pleas’d eyes, embower’d from the light,
    Enshaded in forgetfulness divine:
O soothest Sleep! if so it please thee, close
    In midst of this thine hymn my willing eyes,
Or wait the “Amen,” ere thy poppy throws
    Around my bed its lulling charities.
Then save me, or the passed day will shine
Upon my pillow, breeding many woes,—
    Save me from curious Conscience, that still lords
Its strength for darkness, burrowing like a mole;
    Turn the key deftly in the oiled wards,
And seal the hushed Casket of my Soul.
Aromatist of still midnight,
Closing with digits kind and good
Our gloom-fond orbs, cut off from light,
Snug in oblivion’s holy hood:
O forty winks! Dormition! Cull
My willing gig-lamps as I sing,
Till at my ‘Schluss!’ your opiums lull,
Charitably, my sluggarding.
Thwart now (or this past day will flood
My pillow, spawning, sorrowful) –
Thwart anxious Conscious Thought, that lords
Its night-might, burrowing, black as coal;
Turn your swift Chubb in my smooth wards:
Shut tight my Dropbox, hush my soul.
Translation: Copyright © Timothy Adès

Au Rossignol

Ode to a Nightingale

John Keats (1795-1821)

Let’s see whether he needed the letter E. First verse by HARRY GUEST; TIMOTHY ADÈS wrote the rest.
Ode to a Nightingale
My heart aches, and a drowsy numbness pains          My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains          One minute past, and Lethe-wards had sunk: 'Tis not through envy of thy happy lot,          But being too happy in thine happiness, —                 That thou, light-winged Dryad of the trees                         In some melodious plot          Of beechen green, and shadows numberless,                 Singest of summer in full-throated ease. O, for a draught of vintage! that hath been          Cool'd a long age in the deep-delved earth, Tasting of Flora and the country green,          Dance, and Provençal song, and sunburnt mirth! O for a beaker full of the warm South,          Full of the true, the blushful Hippocrene,                 With beaded bubbles winking at the brim,                         And purple-stained mouth;          That I might drink, and leave the world unseen,                 And with thee fade away into the forest dim: Fade far away, dissolve, and quite forget          What thou among the leaves hast never known, The weariness, the fever, and the fret          Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last gray hairs,          Where youth grows pale, and spectre-thin, and dies;                 Where but to think is to be full of sorrow                         And leaden-eyed despairs,          Where Beauty cannot keep her lustrous eyes,                 Or new Love pine at them beyond to-morrow. Away! away! for I will fly to thee,          Not charioted by Bacchus and his pards, But on the viewless wings of Poesy,          Though the dull brain perplexes and retards: Already with thee! tender is the night,          And haply the Queen-Moon is on her throne,                 Cluster'd around by all her starry Fays;                         But here there is no light,          Save what from heaven is with the breezes blown                 Through verdurous glooms and winding mossy ways. I cannot see what flowers are at my feet,          Nor what soft incense hangs upon the boughs, But, in embalmed darkness, guess each sweet          Wherewith the seasonable month endows The grass, the thicket, and the fruit-tree wild;          White hawthorn, and the pastoral eglantine;                 Fast fading violets cover'd up in leaves;                         And mid-May's eldest child,          The coming musk-rose, full of dewy wine,                 The murmurous haunt of flies on summer eves. Darkling I listen; and, for many a time          I have been half in love with easeful Death, Call'd him soft names in many a mused rhyme,          To take into the air my quiet breath;                 Now more than ever seems it rich to die,          To cease upon the midnight with no pain,                 While thou art pouring forth thy soul abroad                         In such an ecstasy!          Still wouldst thou sing, and I have ears in vain —                    To thy high requiem become a sod. Thou wast not born for death, immortal Bird!          No hungry generations tread thee down; The voice I hear this passing night was heard          In ancient days by emperor and clown: Perhaps the self-same song that found a path          Through the sad heart of Ruth, when, sick for home,                 She stood in tears amid the alien corn;                         The same that oft-times hath          Charm'd magic casements, opening on the foam                 Of perilous seas, in faery lands forlorn. Forlorn! the very word is like a bell          To toll me back from thee to my sole self! Adieu! the fancy cannot cheat so well          As she is fam'd to do, deceiving elf. Adieu! adieu! thy plaintive anthem fades          Past the near meadows, over the still stream,                 Up the hill-side; and now 'tis buried deep                         In the next valley-glades:          Was it a vision, or a waking dream?                 Fled is that music :— Do I wake or sleep?
Au Rossignol
My mind hurts and a drowsy poison pains My soul as though of opium I had drunk Or, quaffing a dull drug down to its drains An hour ago, to Pluto’s lands had sunk. ‘Tis not through craving for thy happy lot But finding too much joy in all thy bliss – O thou, light-flying dryad of this wood, In a harmonious plot Of mossy boughs which shift as shadows kiss. Thy full throat sings: May harbours all that’s good. O, for a draught of vino! that has lain Cooling for months a long way down in ground, Tasting of Flora’s country, lush with rain, Occitan song, and sunlit dancing round! O for a glassful of that sunny South, Full of Parnassian blushful vrai grand cru, With strings of air-drops bubbling at its brim, Staining maroon my mouth; That I might drink, and slip away with you, All lost to all, in wildwoods dark and dim. I’d slip away, dissolving. Soon forgot, What you among your arbours had not known, Our worry and our quinsy and our hot Flush of folk sitting for a mutual groan, Our palsy, shaking sad gray hairs, not many, Our youth grown pallid, dying, phantom–slight: For but to think is to drink draughts of sorrow, Look black as antimony; Girls can’t maintain two lustrous orbs of sight; If Cupid sighs, it’s only till tomorrow. Away! away! for I will fly to you, Not riding out with Bacchus’ jaguars, But (blind-man’s buff!) on lyric wings, although My brain is numb, and jolts and jams and jars. Look, now I’m with you! It’s a kind, soft night; With luck, Milady Moon is holding court, And, round about, a throng of starry Fays; No, it’s too dark: no light But what from skyward airily is brought Through branchy gloom and winding mossy ways. I cannot scan what’s budding at my foot, Nor what soft balsam hangs upon your boughs, But in this fragrant dark, I try to moot Such aromatics as this month allows To grass, to shrub, to fruiting blossom wild; Sunk in its fronds, fast fading violot; Hawthorn, triantaphyll dawn–drunk with musk, May’s coming first-born child, And pastoral non-hybrid, which is not A murmurous haunt of gnats at dog–star’s dusk. Dark auscultation! and again! for oft I am half amorous of R.I.P., In many musing stanzas call him, soft, To lift in air my faint vitality: This opportunity I shouldn’t miss, To pass away at midnight without pain, Whilst thou art pouring forth thy soul abroad In such high flights of bliss! Still wouldst thou sing, and I’d auscult in vain To thy contakion, at last a clod. Thou wast not born to croak, immortal Bird! No hungry propagations grind you down; That song I track this passing night occurr’d In days long past to tyrant, king and clown: On top of that — who knows? — it found a path To Ruth, athirst for Moab’s distant turf, Who stood distraught amid th’ un-British corn; And on occasion hath Charm'd magic miradors that look on rough Hazardous floods, in goblin lands forlorn. Forlorn! That actual word purports to toll, To toil yours truly back to John from you! Addio! This fancy tricks us nicht so wohl As what — fallacious fay! — it’s thought to do. Addio! Addio! Thy soulful singing faints Away, past paddocks and a placid brook, Climbing a hill; and now it sinks down, boring Into low-lying haunts: A vision? Or a waking think–and–look? All’s tacit: — Am I vigilant, or snoring?
Said at Poet in the City Drop–In, Daunts Piccadilly Bookshop, March 2015

Translation: Copyright © Timothy Adès

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On First Looking into Chapman's Translation

On First Looking Into Chapman’s Homer

John Keats (1795-1821)

My lipogram, no letter E
On First Looking Into Chapman’s Homer
Much have I travell'd in the realms of gold, And many goodly states and kingdoms seen; Round many western islands have I been Which bards in fealty to Apollo hold. Oft of one wide expanse had I been told That deep-brow'd Homer ruled as his demesne; Yet did I never breathe its pure serene Till I heard Chapman speak out loud and bold: Then felt I like some watcher of the skies When a new planet swims into his ken; Or like stout Cortez when with eagle eyes He star'd at the Pacific—and all his men Look'd at each other with a wild surmise— Silent, upon a peak in Darien.
On First Looking into Chapman's Translation
I got around, saw lots of lands of gold, Good kingdoms, many a top–class duchy too, And sundown islands (I was shooting through) Which bards as loan–stock from Apollo hold. On various occasions I was told About an old blind highbrow’s Timbuctoo: But always was as ignorant as you, Until Dan Chapman said it loud and bold. That did it! Say you watch a midnight sky: An unknown rock floats up into your bag! Or stout Balboa’s sharp rapacity Scans your Pacific, plants a Spanish flag, His troops agog with curiosity, Dumbstruck upon a Panamanian crag.
Said at Poet in the City Drop–in, Daunts Bookshop, Piccadilly, London, W1. Contributed to Poetry Atlas website.

Translation: Copyright © Timothy Adès

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Inspiration on Britain's Topmost Summit

Sonnet. Written Upon The Top Of Ben Nevis

John Keats (1795-1821)

Let's see whether he needed the letter E.
Sonnet. Written Upon The Top Of Ben Nevis
Read me a lesson, Muse, and speak it loud Upon the top of Nevis, blind in mist! I look into the chasms, and a shroud Vapourous doth hide them, -- just so much I wist Mankind do know of hell; I look o'erhead, And there is sullen mist, -- even so much Mankind can tell of heaven; mist is spread Before the earth, beneath me, -- even such, Even so vague is man's sight of himself! Here are the craggy stones beneath my feet,-- Thus much I know that, a poor witless elf, I tread on them, -- that all my eye doth meet Is mist and crag, not only on this height, But in the world of thought and mental might!
Inspiration on Britain's Topmost Summit
I ask for words, Parnassian! - said out loud on Scotia's topmost summit, blind in mist! I look into its chasms, which a shroud of vapour bars from sight; so much I wist mankind doth know of Tartarus; and this, upwards, is dismal mist - and that's how much mankind can know of paradisal bliss; downwards, mist rolls across this world: just such, so indistinct, is man's own mirror-study. On craggy rocks aloft my right foot stands -- This much I know, that, poor unwitting noddy, I am on rocks, -- and what my sight commands Is mist and crag, not only on this hill, But in our world of brains and thoughts and skill.

Translation: Copyright © Timothy Adès

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