Three Snails

Trois escargots

Maurice Carême (1899-1978)

Trois escargots
J’ai rencontré trois escargots Qui s’en allaient cartable au dos Et, dans le pré, trois limaçons Qui disaient par cœur leur leçon. Puis, dans un champ, quatre lézards Qui écrivaient un long devoir. Où peut se trouver leur école ? Au milieu des avoines folles ? Peut-être est-ce une aristoloche Qui leur sert de petite cloche Et leur maître est-il ce corbeau Que je vois dessiner là-haut De belles lettres au tableau ?
Three Snails
Three snails with satchels came in view, I saw their laden backs depart; and in the meadow, three slugs who spouted their lesson, learnt by heart; and then, four lizards in a field: long was the exercise they wrote. Where can their schoolhouse be concealed? Amid the scrub of the wild oat? Perhaps they have a calico flower to be their little bell, and could their master be the crow that I can see from far below, who at his blackboard writes so well?

Translation: Copyright © Timothy Adès

More poems by Maurice Carême...

German Tale

Cuento Alemán

Alfonso Reyes (1889-1959)

Cuento Alemán
A la hora en que el gato salta sobre el tocino, en las vidrieras arde un rayo de oro fino y el Hombre de la Luna comienza su destino, en todas las botellas se oyó cantar el vino. Cantaba entre el bochorno de las obesas pipas que roncan y que sueñan que les saca las tripas el nocharniego pinche de las regias cocinas, terror de las doncellas y de las golosinas. Cantaba como canta el viento en las veletas, mientras los zafios duermen y velan los poetas. En sueños, la princesa, que lo oye cantar, en sueños se entregaba al gusto de bailar, mientras la dueña, gente de condición vulgar, se emborrachaba en sueños, que así suele pasar. El rey, como discreto, como persona honrada, el rey ... pues nada sueña porque no escucha nada. El rey tiene por barbas dorado vellocino, cual si las empapara en el dorado vino, y es su consuelo único y su mejor consejo tomar a cada rato un trago de lo añejo. Roba el tocino el gato. Ya trepa hacia la luna bebiendo las hebrillas de luz una por una: volar es cosa propia de la raza gatuna, si ayuda el plenilunio y ayuda la fortuna. En tanto, el regio parque se embriagaba de luna, y la luna se daba baños en la laguna. - Ay! viejo duendecito, prenda usía su vela! Diga: aquello que sube ¿es un gato que vuela? - ¡Ay, viejecita duende! ¿Para qué me desvela? ¿No sabe que es el Diablo que nos ronda y nos vela? ¡Bien haya el duendecito que todo lo sabía! A cada primavera, la barba le crecía. Desnuda la mañana su dorado puñal y canta el gallo de oro que hay en la catedral. Despierta la princesa rendida de bailar; la dueña, de beber; la dueña, de roncar. El rey, como discreto, como persona honrada, el rey ... pues nada sabe porque no sabe nada. La gente que a la plaza sale a ver el reló cuenta que el Holandés de las Botas pasó de noche por el pueblo, vaciando las botellas, hundiendo las tinajas y empreñando doncellas, y, como de costumbre, sopeaba su vino con su poco de queso, de lardo y de tocino. La princesa pariera un feísimo gato; la dueña confesara que se distrajo un rato; y el rey, como magnánimo, el rey, como sensato, iba desayunándose hasta limpiar el plato, y sin decir palabra gustaba del guisote, sorbía su cerveza, se chupaba el bigote; si bien no cabe duda que, para su capote, el rey ... nada pensaba, aunque nada se note. j Así tengáis salud y así tengáis fortuna, guardad a vuestras hijas del Hombre de la Luna! * * * * * * Hicieron estos versos cuatro monjes goliardos, de vidas vagabundas si de familias ricas, discípulos de Erígenas y alumnos de Abelardos - aunque no eran mancos, ni tuertos y ni cojos -, que, de beber, tenían volumen de barricas y cuatro caras como cuatro soles muy rojos.
German Tale
It was the hour the cat performs its bacon-grabbing spring, When across every window-pane fine gold is glittering, The hour the Magus of the Moon goes out adventuring: In every bottle, jug and flask, the wine was heard to sing. It sang among the flushes of the ample-bellied butts, That belch, and snore, and dream of being emptied of their guts By the nocturnal Scullion of the kitchens of the king, The dread of every kitchen-maid and dainty little thing. It sang the way the wild wind sings in the banners at the gate, While yokels take their beauty-sleep, and poets watch and wait. All in her dreams the princess heard the wine’s alluring chants; All in her dreams she yielded to the pleasures of the dance. She had a base-born chaperone, of very low degree, Who dreamed – it’s fairly normal – she was on a drunken spree. The king’s a man of honour, a discreet and upright king, The king – he dreams of nothing, for he doesn’t hear a thing. The king had grown a golden fleece that hung beneath his chin: Perhaps he kept a golden wine to marinade it in. This was his wisest counsel, this consoled him last and first: To swig whenever possible a bottle of the worst. The cat has pinched the bacon! and towards the moon it’s gone, Soars up, and drinks the little wisps of moonbeam, one by one: For flying is a special skill of all the feline band, Provided that good fortune and the full moon lend a hand. The royal park was all the while enraptured with the moon, Who took her time, enjoyed herself, and bathed in the lagoon. “Oho, my little pixie-man! Be waking, sir, stand by! Tell me, is that a flying cat that soars across the sky?” “Oho, my little elf, and would you rouse me? Can’t you tell, It’s the Devil haunts and harries us, the Devil come from hell.” “Protect us, little pixie-man!” He knew the whole affair; His beard grew long, and longer still, when spring was in the air. The daybreak from her scabbard drew her golden snickersnee; Loud crowed the golden cockerel in the Minster sacristy. The princess woke and rubbed her eyes, worn out from her contortions; The chaperone, from bibulous and stertorous exertions. The king’s a man of honour, a discreet and upright king, The king – the king knows nothing, for he doesn’t know a thing. The folk who saunter in the Square to view the clock, they say It was the Flying-Dutchman-Puss-in-Boots who passed this way. He went about the town at night, and drained the bottles dry, He emptied all the demijohns, and made the maidens cry; And, following the custom, in the tavern sat a-sipping Of his wine, with modest quantities of bacon, cheese and dripping. The princess was delivered of a very ugly cat; The chaperone was negligent, she took the blame for that; The king, a noble-hearted and sagacious man of state, Continued with his breakfast and completely cleared his plate; He supped his mild and bitter ale, and sucked his whiskered septum, And ate his meal in silence, not a single word escaped him. And there’s no doubt about it, that between himself and he, The king had not one thought at all! No comment – let it be. Here’s wishing you the best of health, the greatest good fortune, And keep your daughters locked away from the Magus of the Moon! * * * * * * * * Four monks composed these verses and they all were Goliards, They lived the life of vagrants, though their families were wealthy, Disciples of John Duns’s, acolytes of Abelard’s (Though none of them was maimed, or squinty-eyed, or that unhealthy); They had a gross of drinking-vats, a cubic chain of tuns, And four tomato faces like a clutch of scarlet suns.

Translation: Copyright © Timothy Adès

More poems by Alfonso Reyes...

Complex

Complejo

Alfonso Reyes (1889-1959)

Complejo
Amigos, dondequiera que voy me sigue un oso, Un oso que se ve con el rabo del ojo. Ni soporta ser visto de frente, ni lo puedo descubrir cuando quiero mirado en el espejo. No se oyen sus pasos, porque van con los míos. Es como una amenaza constante: es un testigo. Nada busca; pero me tiene medio loco saber que dondequiera que voy me sigue un oso.
Complex
My friends, no matter where I go I’m followed by a bear. He’s only glimpsed obliquely by a sneaky sidelong glance, He won’t permit a frontal view, he has no tolerance; I may seek him in the mirror, but I never see him there. I cannot hear his footsteps: when I tread, he’s treading too: A constant threat, a witness to whatever I may do. He isn’t after anything; it fairly spooks me, though, To know I’m followed by a bear, no matter where I go.

Translation: Copyright © Timothy Adès

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Memories of the Circus

Recuerdos del Circo

Ramón López Velarde (1888-1921)

López Velarde, born in Zacatecas, wrote 'La suave patria', the national poem of Mexico.
Recuerdos del Circo
Los circos trashumantes, de lamido perrillo enciclopédico y desacreditados elefantes, me enseñaron la cómica friolera y las magnas tragedias hilarantes. El aeronauta previo, colgado de los dedos de los pies, era un bravo cosmógrafo al revés que, si subía hasta asomarse al Polo Norte, o al Polo Sur, también tenía cuestiones personales con Eolo. Irrumpía el payaso como una estridencia ambigua, y era a un tiempo manicomio, niñez, golpe contuso, pesadilla y licencia. Amábanlo los niños porque salía de una bodega mágica de azúcares. Su faz sólo era trágica por dos lágrimas sendas de carmín. Su polvorosa apariencia toleraba tenerlo por muy limpio o por muy sucio, y un cónico bonete era la gloria inestable y procaz de su occipucio. El payaso tocaba a la amazona y la hallaba de almendra, a juzgar por la mímica fehaciente de toda su persona cuando llevaba el dedo temerario hasta la lengua cínica y glotona. Un día en que el payaso dio a probar su rastro de amazona al ejemplar señor Gobernador de aquel Estado, comprendí lo que es Poder Ejecutivo aturrullado. ¡Oh remoto payaso: en el umbral de mi infancia derecha y de mis virtudes recién nacidas yo no puedo tener una sospecha de amazonas y almendras prohibidas! Estas almendras raudas hechas de terciopelos y de trinos que no nos dejan ni tocar sus caudas... Los adioses baldíos a las augustas Evas redivivas que niegan la migaja, pero inculcan en nuestra sangre briosa una patética mendicidad de almendras fugitivas... Había una menuda cuadrumana de enagüilla de céfiro que, cabalgando por el redondel con azoros de humana, vencía los obstáculos de inquina y los aviesos aros de papel. Y cuando a la erudita cavilación de Darwin se le montaba la enagüilla obscena, la avisada monita se quedaba serena. como ante un espejismo, despreocupada lastimosamente de su desmantelado transformismo. La niña Bell cantaba: «Soy la paloma errante»; y de botellas y de cascabeles surtía un abundante surtidor de sonidos acuáticos, para la sed acuática de papás aburridos, nodriza inverecunda y prole gemebunda. ¡Oh memoria del circo! Tú te vas adelgazando en el frecuente síncope del latón sin compás; en la apesadumbrada somnolencia del gas; en el talento necio del domador aquel que molestaba a los leones hartos, y en el viudo oscilar del trapecio...
Memories of the Circus
Travelling circuses, with the dainty little dog’s encyclopaedic brilliance discrediting the elephants, taught me trivial comedies, laughable super-catastrophes. On came the aeronaut first, hanging on by the skin of his toes, daring explorer in reverse; whether or not he glimpsed the poles, north or south, he had personal scores, God of the Winds, to settle, of yours. In burst the clown, like a loud and dubious noise, bump and bruise, infancy, lunacy, all nightmare and naughtiness. How he was loved by the kids for coming out of a magic candy-pot: just his face was tragic, cochineal tear this side and that. Powdered thick, he could either be thought Of as spick and span, or as caked in smut; His glory was a conical hat, precarious, pert, on his occiput. The clown touched the bearded lady and found she was all of sugared almond, to judge from the lifelike mime of the whole of his frame, when he raised his audacious fingertip to his cynical gluttonous tongue. The day the clown presented a sniff of the bearded lady to be savoured by the Honourable Governor of the State, that was the day I discovered Executive Power disconcerted. You faraway clown of my early days, my virtues pristine, so carefully raised: I couldn’t be tarred with any suspicion of almonds and bearded ladies forbidden! These sugared almonds, dashing, in velvet and frills, we’re not to touch the hem of their train. The futile goodbyes to each idolised Eve revived, who denies us so much as a crumb, but who dins into our spirited blood a cringing, a cadging of almonds, not to be had… A four-handed creature in frou-frou and zephyr came galloping into the ring, in fear, as if human, and mastered the nasty obstacle-course and the awkward paper hoops. And when to the learned demurring of Darwin they dressed her, obscene, in the frou-frou, the wise little monkey kept calm as if faced with a trick in the glass, resigned to the dismal transformation. “I’m the wandering dove,” warbled little Miss Bell: and from bottles and bells gushed a tumbling fountain of watery sounds for the watery thirst of weary papas, the flighty nurse and the querulous child. O circus memory, fading away in the unrhythmical clashing of brass, the heavy drowsiness of the gas; the stupid skill of that lion-tamer who used to tease the well-stuffed beasts, and the vacantly swinging trapeze…

Translation: Copyright © Timothy Adès

More poems by Ramón López Velarde...

The butterfly

Der Schmetterling

Hermann Hesse (1877-1962)

Der Schmetterling
Mir war ein Weh geschehen, Und da ich durch die Felder ging, Da sah ich einen Schmetterling, Der war so weiß und dunkelrot, Im blauen Winde wehen. O du! In Kinderzeiten, Da noch die Welt so morgenklar Und noch so nah der Himmel war, Da sah ich dich zum letztenmal Die schönen Flügel breiten. Du farbig weiches Wehen, Das mir vom Paradiese kam, Wie fremd muß ich und voller Scham Vor deinem tiefen Gottesglanz Mit spröden Augen stehen! Feldeinwärts ward getrieben Der weiß' und rote Schmetterling, Und da ich träumend weiterging, War mir vom Paradiese her Ein stiller Glanz geblieben.
The butterfly
I suffered some bad tiding. I saw, in fields as I passed by, A white and scarlet butterfly On gentle winds go riding. A child, I saw extended, Long since, when heaven yet was near, When all the world was morning-clear, O you! your pinions splendid. You, soft, bright-hued and airy, You came to me from paradise. Estranged, ashamed, before you And all your godlike glory I have to stand with downcast eyes. Into the field was driven The white and scarlet butterfly, And as I wandered musing by, I knew that I was given A soundless glimpse of heaven.

Translation: Copyright © Timothy Adès

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Butterfly in the Wine

Falter im Wein

Hermann Hesse (1877-1962)

Falter im Wein
In meinen Becher mit Wein ist ein Falter geflogen, Trunken ergibt er sich seinem süssen Verderben, Rudert erlahmend im Naß und ist willig zu sterben; Endlich hat ihn mein Finger herausgezogen. So ist mein Herz, von deinen Augen verblendet, Selig im duftenden Becher der Liebe versunken, Willig zu sterben, vom Wein deines Zaubers betrunken, Wenn nicht ein Wink deiner Hand mein Schicksal vollendet.
Butterfly in the Wine
Into my wine-glass a butterfly flew. Dazed, he submits to the sweet by-and-by, Flailing, and failing, and willing to die; Whom from his doom on my finger I drew. You with your bright eyes bedazzled my seeing, Deep in love’s nectar-bowl blissfully sunken, Willingly doomed, with your wine-magic drunken, Had not your hand set the seal on my being.

Translation: Copyright © Timothy Adès

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Come with me to the picture-house

Komm mit mir in das Cinema

Else Lasker-Schüler (1876-1945)

Komm mit mir in das Cinema
Komm mit mir in das Cinema Dort findet man, was einmal war: Die Liebe! Liegt meine Hand in deiner Hand Ganz übermannt im Dunkel, Trompetet wo ein Elefant Urplötzlich aus dem Dschungel – Und schnappt nach uns aus heißem Sand Auf seiner Filmenseide Ein Krokodilweib, hirnverbrannt, Dann – küssen wir uns beide.
Come with me to the picture-house
Come with me to the picture-house, Where we can find what once was ours – Yes: Love! Your hand shall nestle in my hand, By darkness overcome, when Quite suddenly, an elephant Trots out its jungle trombone, Or when onscreen we apprehend A croc’s brain-roasted Mrs Snapping at us from burning sand – Then we shall have our kisses!
Last Page of the ‘111 Love-Poems’

Translation: Copyright © Timothy Adès

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Asinus - The Donkey - my Latin

The Donkey

G. K. Chesterton (1874-1936)

The Donkey
When fishes flew and forests walked    And figs grew upon thorn, Some moment when the moon was blood    Then surely I was born. With monstrous head and sickening cry    And ears like errant wings, The devil’s walking parody    On all four-footed things. The tattered outlaw of the earth,    Of ancient crooked will; Starve, scourge, deride me: I am dumb,    I keep my secret still. Fools! For I also had my hour;    One far fierce hour and sweet: There was a shout about my ears,    And palms before my feet.
Asinus - The Donkey - my Latin
errabant sylvae, pecus et squamosa volabat,    fructus erat sento ficus opima vepri, deinde cruentata surrexit imagine luna:    scilicet in tali tempore natus ego. en asini deforme caput, damnosa querela,    auris inassueto devia pinna loco! me gentem Stygia illudens fabricavit Erinys,    quattuor in pedibus quot properamus iter. ille ego, terrarum lacer et miserabilis exsul:    haeret in antiquo mens mea prava modo. verberer, esuriam, illudar: tamen usque tacebo:    quicquid secreto novimus, usque latet. o stulti! mihi enim fuit et mirabilis hora,    una fuit dudum dulcis et acris item: namque resultavit multorum clamor in aures,    et tetigit nostros plurima palma pedes.

Translation: Copyright © Timothy Adès

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The Aesthetic Weasel

Das ästhetische Wiesel

Christian Morgenstern (1871-1914)

Das ästhetische Wiesel
Ein Wiesel saß auf einem Kiesel inmitten Bachgeriesel. Wißt ihr weshalb? Das Mondkalb verriet es mir im Stillen: Das raffinier- te Tier tat’s um des Reimes willen.
The Aesthetic Weasel
A weasel sat on an easel no, a pebble in the Ribble. Are you aware, for why, and wherefore? The mooncalf blew the gaff in a quiet time: The tiny mammal, a refined animal, loved the laugh and the rhyme.

Translation: Copyright © Timothy Adès

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The Hippopotamus

L’Hippopotame:

THÉOPHILE GAUTIER (1811-72)

A poem about a Rhinoceros...
L’Hippopotame:
L’hippopotame au large ventre Habite aux jungles de Java, Où grondent, au fond de chaque antre, Plus de monstres qu’on n’en rêva. Le boa se déroule et siffle, Le tigre fait son hurlement, Le bufle en colère renifle, Lui dort ou paît tranquillement. Il ne craint ni kriss ni zagaies, Il regarde l’homme sans fuir, Et rit des balles des cipayes Qui rebondissent sur son cuir. Je suis comme l’hippopotame: De ma conviction couvert, Forte armure que rien n’entame, Je vais sans peur par le désert.
The Hippopotamus
The sturdy Hippopotamus inhabits jungles Javanese where snarl in caverns bottomless undreamable monstrosities. The boa hisses and unscrews; snuffles convulse the buffalo; the tiger caterwauls. He chews, or slumbers, tranquillissimo. He fears not kris nor assegai, he looks at man and stands his ground; he laughs, when shots from the sepoy spatter his leather and rebound. The hippopotamus and I have an impenetrable hide. In armour-plate of certainty I roam the plains with dauntless stride.
Published in In the Company of Poets (Hearing Eye)

Translation: Copyright © Timothy Adès

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